tag:blogger.com,1999:blog-66383680100794723632024-03-13T17:35:30.245-07:00Laura Jane ClarkLaura Jane Clarkhttp://www.blogger.com/profile/16638040574749258086noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-6638368010079472363.post-11415862010436532852014-10-12T15:14:00.003-07:002014-10-12T15:14:33.509-07:00Shed Shed Shed!!<div style="text-align: justify;">
<span style="font-family: "Courier New",Courier,monospace;">So, during the filming of the final of Shed of the Year, Max, Will and I were sitting in the SOTY Winnebago feeling pretty shed happy and fueled with caffeine, we thought it would be a brilliant idea to build our own shed for the Festival of Thrift later on that year. Sadly Will couldn't make the date, but Max and I quickly realised it would be a hilarious way to put our shed chat into practice. </span></div>
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<span style="color: black;"><span style="font-family: "Courier New",Courier,monospace;">Shed of the Year Filming</span></span></div>
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<span style="font-family: "Courier New",Courier,monospace;">We obviously wanted to do something super thrifty so after several bonkers ideas that sadly wouldn't work due to several things - mainly gravity, we came up with a plan. With an architect and a industrial designer - what could possibly go wrong?!</span></div>
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<span style="font-family: "Courier New",Courier,monospace;">I wanted to build something that didn't resemble the scavenged materials or objects that it was made from, so Max came up with the concept of using old paint tins to create artichoke feathered tile cladding and I got a little carried away about making structural glulam beams from scraps of pallet wood. With a little skepticism from Max, we went on our merry way.</span></div>
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<span style="font-family: "Courier New",Courier,monospace;">The shed had to be very low cost
and also expandable so someone could take the concept and either build it
exactly or use it the basic design and make it their own, tailored to
their garden or space.</span><br />
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<span style="font-family: "Courier New",Courier,monospace;">As a starting point I was looking at an interlacing A
frame. I wanted some of the shed to open up and transform the space.
It is also a great structure as the basis of a modular design.</span><br />
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<span style="font-family: "Courier New",Courier,monospace;">Initial Shed Sketches</span></div>
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<span style="font-family: "Courier New",Courier,monospace;">I generally sketch out ideas which then take some sort of
shape which then informs what materials to use. Then the detailing of
those materials and how it could be built brings the whole design
together and it starts to take form. I love wood, and I love slatted
wood even more. So that's what I used.</span><br />
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<span style="font-family: "Courier New",Courier,monospace;"> Building up the design</span></div>
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<span style="font-family: "Courier New",Courier,monospace;">Finalising the model</span></div>
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<span style="font-family: "Courier New",Courier,monospace;">With the design drawn up and modeled - I was happy that it
was in the realms of physical possibility to build by three people over
two days so then I started to worry about creating pallet wood glulam
beams. Max said it probably wouldn't work, and I started to think he
was possibly right.</span><br />
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<span style="font-family: "Courier New",Courier,monospace;">Strangely pallets sell online at anything from £1 to £6
each. However with a bit of running around and explaining we weren't
going to make pallet tables and sell them for hundreds of pounds, we
managed to score a load of them from a logistics company.</span><br />
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<span style="font-family: "Courier New",Courier,monospace;">Collecting the Pallets</span></div>
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<span style="font-family: "Courier New",Courier,monospace;">In theory,
the idea of making these composite beams is that the pallet itself
doesn't have to be in good nick because the structural strength is
formed over the finished glulam beam as a whole, rather than the
individual slat strength. So we stripped the pallets using some of my favorite tools - a shagging great big crowbar and a hammer. </span></div>
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<span style="font-family: "Courier New",Courier,monospace;">I then laid out the slats of wood to create beams. For the
general joists I used two slats side by side and for the structural
joists I used three to create the A frame.</span></div>
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<span style="font-family: "Courier New",Courier,monospace;">Glulam Construction </span></div>
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<span style="font-family: "Courier New",Courier,monospace;">From my drawings, I knew that these joists would all have
to be around 3 meters long so I started gluing my beams together to that
length. I used a waterproof wood glue that was creep resistant. I
didn't know what that meant, but I liked the sound of it. I intended
to just glue and clamp the timbers, but it was quite tricky as the
pallet wood was different widths and I kind of ran out of clamps too so I
ended up screwing the timbers together as well as clamping which worked
really well. I left my trial beam to go off over night and went home
and dreamt of shed.</span></div>
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<span style="font-family: "Courier New",Courier,monospace;">IT WORKED! The beam was super strong and I tentatively
jumped up and down on it before I set to and made the other twenty.
Now, it took a while yes. Finding, breaking and sorting pallet wood is
labour intensive as is making the beams but with screws and a bit of
sunshine and a lot of coffee we were making a three meter strong
structural beam in about 10-15 minutes. </span><br />
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<span style="font-family: "Courier New",Courier,monospace;"> Testing the first beam</span><br />
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<span style="font-family: "Courier New",Courier,monospace;">The good thing about clamping the wood is that although
ideally its best to the the nails out, its not essential. As long as
you hammer them down in line with the grain of the wood, they get
squashed into the wood and stay there. Although you would have to use a
chop saw that can cope with nails when you cut everything to size later
on.</span><br />
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<span style="font-family: "Courier New",Courier,monospace;">I decided it would be a good idea given our short weekend
at Thrift Fest to make one module of my shed. I based each module on a
standard sheet of stirling board/osb. They can be sourced pretty
cheaply new or free from used hoardings if you get lucky, either way
they are a perfect way to both build the flooring and give some lateral
stability in your little timber frame shed. </span><br />
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<span style="font-family: "Courier New",Courier,monospace;">I could go on about the design and building of the shed in some more detail, but I
am aware already this post is already pretty tedious. Overall I think
we built a practical modular shed that two people could construct
relatively easily over a long spring weekend. </span><br />
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<span style="font-family: "Courier New",Courier,monospace;"> The Shed Build</span></div>
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<span style="font-family: "Courier New",Courier,monospace;">The tiles worked well
too. It was great cutting them up messing around with them and to
create different cladding designs and the kids at Festival of Thrift
loved getting involved. Obviously if you used metal tins, it would be a
little more difficult and potentially deadly, but the resulting
shingles would have a beautiful silver glow with the remnants of old
paint and varnish stains that would make each tile unique and gorgeous. </span><br />
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<span style="font-family: "Courier New",Courier,monospace;">When we were building, we realised that you needed a fair
old whack of empty paint tins to complete the shed. The fabulous people
at Cuprinol gave us a load of their empty plastic tins, but it got me
thinking that actually you could use any material really - especially
large empty drinks bottles and that would be great inter dispersed with
solid tiles to give natural light in the shed. </span><br />
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I'm working on creating these shed plans so that everyone
can have a starting point to build their own shed and take my concept
and make it their own. That's what I like about sheds, its the most
democratic form of architecture and I love it.</span>
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<div style="text-align: center;">
<span style="font-family: "Courier New",Courier,monospace;"> Prototype Type "A" Shed Design Drawings</span></div>
Laura Jane Clarkhttp://www.blogger.com/profile/16638040574749258086noreply@blogger.com1tag:blogger.com,1999:blog-6638368010079472363.post-20065993054231722882014-05-28T12:40:00.001-07:002014-05-30T05:03:55.497-07:00My memories of the Glasgow School of Art...<h2>
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<span style="font-family: "Courier New",Courier,monospace;">I have written a little piece
about my memories of both studying at the Mackintosh and being a tour guide
there for over four years.<span style="mso-spacerun: yes;"> </span>It is not
about historical fact, but just some of the things that made the building so
special to me.<span style="mso-spacerun: yes;"> </span>I haven’t been into the
Art School properly for nearly ten years, but I can picture the building and
recall my tour almost to the word such was the influence the building had on
me.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-family: "Courier New",Courier,monospace;">From as young as I can remember,
I always wanted to be a surgeon.<span style="mso-spacerun: yes;"> </span>I worked
hard in order to fulfill my dream of studying medicine at Cambridge and there
was no question in my mind of any other profession for me.<span style="mso-spacerun: yes;"> </span>For my 16<sup>th</sup> birthday, my parents
took me up to Glasgow for the weekend and amongst other things, we went up to
see a Mackintosh exhibition and the Glasgow School of Art.<span style="mso-spacerun: yes;"> </span>I didn’t realise it then, but that
surprisingly sunny weekend would change my life.<span style="mso-spacerun: yes;"> </span>The image looking down at Mackintosh’s sketch
books at that exhibition is as clear in my mind today as it was back nearly
twenty years ago.<span style="mso-spacerun: yes;"> </span>It was that point that
I realised that I wanted to an Architect and I wanted to come and study at the Glasgow
School of Art.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-family: "Courier New",Courier,monospace;">I matriculated at Glasgow in 1998
and quickly fell completely in love with the Art School.<span style="mso-spacerun: yes;"> </span>Its castle like façade was the view from
drawing board in the Architecture department across the road for many years and
as I learnt about the school’s design, history and Charles Rennie Mackintosh
himself, I was fascinated.<span style="mso-spacerun: yes;"> </span>I became a
tour guide at the Art School, and wonderfully each tour guide was encouraged to
write their own script to enhance the historical facts, dates and important
people.<span style="mso-spacerun: yes;"> </span>I still believe this was a great
idea, especially as Mackintosh purposefully didn’t catalogue all his specific ideas
and symbolism throughout his work, preferring the viewer to be open to their
own interpretation.<span style="mso-spacerun: yes;"> </span>The tours lasted
over an hour and even after pulling an all-nighter working in the studio or
with a touch of a hangover, I loved every minute of it.<span style="mso-spacerun: yes;"> </span>I feel so privileged to have been able to
discuss my thoughts and interpretations of this historic building with visitors
from around the world, and I am nearly in tears again writing this, to think
that we will never see, smell and feel the original again.</span></div>
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<span style="font-family: "Courier New",Courier,monospace; font-size: x-small;">"Tree of Influence" Charles Rennie Mackintosh, 1895 </span></div>
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<span style="font-family: "Courier New",Courier,monospace;">I wanted to write down some of my
personal memories of the Mack and the influence it had on me as both an
architecture student and now as a practicing architect.<span style="mso-spacerun: yes;"> </span>I am writing in the present tense, as I know
it will be restored to its former glory.</span></div>
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<span style="font-family: "Courier New",Courier,monospace;">Scottish castle design, light and
dark contrasts, European and Japanese influences and various symbolic motifs
are evidence throughout the architecture of the School.<span style="mso-spacerun: yes;"> </span>One of the main symbols that ran through the
building was that of the pagan based “Tree of Knowledge.”<span style="mso-spacerun: yes;"> </span>This Tree of Knowledge is found in various
guises throughout the work of Mackinstosh, his wife Margaret and the Glasgow
Four from intricate organic forms to the pared back three by three square
motif.<span style="mso-spacerun: yes;"> </span>The planting, growing and
flourishing of this wonderful symbol is evident throughout the Art School.<span style="mso-spacerun: yes;"> </span>Two heavy swinging black painted timber doors
form the main entrance to the School that each have a simple carved seedling
design sprouting up to little purple and blue stained glass leaves.</span></div>
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<span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: x-small;"> Entrance Doors with magnificent keystone</span></span></div>
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<span style="font-family: "Courier New",Courier,monospace;"><span style="mso-spacerun: yes;"></span>As you enter through the dark polished
concrete walls of the lobby, light floods down in front of you from a central
staircase leading up to the first floor gallery.<span style="mso-spacerun: yes;"> </span>As you walk up into the gallery, there are tree
like carved roof trusses canopying above.<span style="mso-spacerun: yes;">
</span>This symbolic representation of the Tree of Knowledge continues until
the library – fount of all knowledge where these seedlings and sapling trees
have formed a dense forest of columns, and branches forming the most beautiful
dark timber construction contrasted with double height church like leaded
windows lighting the plaster casts below, arms raised to the light.<span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: x-small;">The First Floor Gallery roof trusses</span> </span></div>
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<span style="font-family: "Courier New",Courier,monospace;">Both the Northern European
folklore and traditional Japanese design influenced Mackintosh, none so much as
the Art School library.<span style="mso-spacerun: yes;"> </span>The purple
stained glass and black iron geometric lights hang down like Art Deco forest
creepers and the notched balustrading with the colours green, red, white and
blue representing the elements earth, fire, wind and water give a fairy tale forest
feel, musty smell and the dark lustre of the wood. <span style="mso-spacerun: yes;"> </span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtAK7m9EgMeQnQxdvwI8Htr3TXutOorxpDQQ3yRCNCs6q8gEaiuOob5ZaDlZzWtkgk9G-cOsxviFKn6YSWHSEi8GaFSY0keX98cJYC5Jl38a1gKmFGLe7BzczAviCY45TXCY8XNzHg0lB8/s1600/glasgow-shcool-of-art-library.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtAK7m9EgMeQnQxdvwI8Htr3TXutOorxpDQQ3yRCNCs6q8gEaiuOob5ZaDlZzWtkgk9G-cOsxviFKn6YSWHSEi8GaFSY0keX98cJYC5Jl38a1gKmFGLe7BzczAviCY45TXCY8XNzHg0lB8/s1600/glasgow-shcool-of-art-library.jpg" height="328" width="400" /></a></div>
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<span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: x-small;"> The Library</span></span></div>
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<span style="font-family: "Courier New",Courier,monospace;">Mackintosh played with light and
dark in his designs, and in the Art School he turns the entire building on its
head.<span style="mso-spacerun: yes;"> </span>High ceilinged airy corridors at
the basement level are contrasted with a low vaulted stone corridor on the top
floor.<span style="mso-spacerun: yes;"> </span>As you ascend the beautifully
polished concrete stairwells at each end of the building it feels counter intuitively like you are walking down into bowels of a huge castle.<span style="mso-spacerun: yes;"> </span>Turn a corner and feel like you are projected
out over the building perched high on Garnet Hill.<span style="mso-spacerun: yes;"> </span>The magnificent Hen Run is completely glazed
looking out over Glasgow city and to the mountains beyond.<span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-size: x-small;"><span style="font-family: "Courier New",Courier,monospace;"> Vaulted Cellar like top floor corridor</span></span></div>
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<span style="font-family: "Courier New",Courier,monospace;"><span style="mso-spacerun: yes;"><span style="font-size: x-small;">The Hen Run - such a contrast also on the top floor</span></span></span></div>
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<span style="font-family: "Courier New",Courier,monospace;">I am sure like me, all previous
Glasgow School of Art students that spent time in the Art School would no doubt
be able to pool our collective memory of the building and be able to rebuild it
from scratch such is the beauty, influence and love of our school.<span style="mso-spacerun: yes;"> </span>I think it is vital to rebuild using
woodworkers, glass makers, leaded window builders and craftsmen by hand and
using techniques that would have been used at the turn of the 20<sup>th</sup>
century.<span style="mso-spacerun: yes;"> </span>Only then will this magnificent
building have a chance to be crafted as Mackintosh’s Tree of Knowledge.<span style="mso-spacerun: yes;"> </span>The House for an Art lover, completed in 1996
from the original design although is beautiful, it slightly reminds me a of a
flat pack version of Mackintosh.<span style="mso-spacerun: yes;"> </span>For me,
it’s the little hearts carvings, alcoves with both concrete and timber polished
to a shine by over a century of hard working students walking the corridors and
studios. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgLnn4vsY53g7GhNaFC3pHkqPWaIJybKqTfntZ2x05rGdm5uHHMHZj8eONyCaoNWqJ5apNoC-mzBhl6BnaA0r5hpDzaGkmcItvgjRJjjhyphenhyphenpQxosMKdxstOpMYuYUBip20V3TCJ0vCSGwl2/s1600/Main_Hall__7__medium.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgLnn4vsY53g7GhNaFC3pHkqPWaIJybKqTfntZ2x05rGdm5uHHMHZj8eONyCaoNWqJ5apNoC-mzBhl6BnaA0r5hpDzaGkmcItvgjRJjjhyphenhyphenpQxosMKdxstOpMYuYUBip20V3TCJ0vCSGwl2/s1600/Main_Hall__7__medium.jpg" height="265" width="400" /></a></div>
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<span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: x-small;">House for An Art Lover </span></span></div>
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<span style="font-family: "Courier New",Courier,monospace;">I know millions of pounds will be
spent on the rebuild, but I am starting a campaign to ask all former students
of the Art School from the year that I started studying in 1998 to the present
day to give between one and ten pounds.<span style="mso-spacerun: yes;">
</span>In this way, in addition to all other funding, we could raise up to
£320,000 which will contribute to the rebuild in honour of the memories that we
all have there.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></span></div>
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</span><br />
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<span style="font-family: "Courier New",Courier,monospace;">Although Mackintosh also designed
and built some beautiful churches, to me The Glasgow School of Art was his
cathedral to art and learning in all its forms and I truly loved it.</span></div>
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
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<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
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<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
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<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
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<style>
/* Style Definitions */
table.MsoNormalTable
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mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
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<![endif]-->Laura Jane Clarkhttp://www.blogger.com/profile/16638040574749258086noreply@blogger.com0